July 26, 2026
I survived and I have returned from a glorious, quasi-heatstroke trip to the Mile High City, or, as it's known by the editors of Arizona Highways, "Everybody's Hometown." When I left on Friday for the drive up the hill, it was 117 degrees on Carefree Highway, and my Flex thermometer registered 118 degrees at Anthem, 106 at Cordes Junction, 101 at Dewey and 99 as I made the turn onto Gurley Street, into downtown Prescott, Arizona. I landed at my headquarters which is a historic hotel with a very zany name.
We had some fun at the Westerners Corral event and I followed Paul Fees and Bill Anton and here are the four takeaways from my talk:
• We are having a Jackson Pollack moment with AI (how do we artists misuse this new medium to conjure meaning out of miles of BS?)
• Courage never goes out of style (everything you want is on the other side of fear).
• The biggest risk of all is to play it safe (sometimes we need to jump off a cliff and figure it out on the way down).
• We need to tell better stories (especially if we want to make an impact on the future).
The Hassayampa Grandpa's "Truth"
In the attention economy we need to unleash art we can't yet imagine, like Marcel Duchamp—for him the whiff of the "precious" in art disgusted him.
The three people in Prescott who changed my life are Gail Gardner, Cynthia Rigden and Budge Rufner.
The Tracing Is Shameful School of Art
In the old days, tracing from photographs was the ultimate sin if you wanted to be a bonified Cowboy Artist. And it was a dirty secret among most artists in that time. I did a parody of all this in New Times Weekly in the mid-eighties and this was my take on this taboo practice.
And, also, you might notice, the artist of this piece has signed the painting as Russ L. Remington. Get it?
But then again, as you might have expected, I confess to drinking heavily from the deep waters of the Hassayampa. Proving for the umpteenth time. . .
“Nobody is more full of it than those who think they can speak the truth about the past.”
—Old Vaquero Saying








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