Nice day at home for a change. No trips or obligations, other than finishing my new book. That's a nice, stay-at-home project. Took two walks, two bike rides and as many naps. Started a nice brothel scratchboard, of two Soiled Doves looking pensive in a dark room, waiting for something bad to happen. A lone man, deep in shadow, stands in the doorway. Is he a John? A pimp? Wait! Isn't that Wyatt Earp? I don't know, I just draw 'em (and steal liberally from Toulouse Lautrec).
Scratchboard is a dark art. I have to fight the urge to show form beyond subtle hints. I keep pulling back, caught between too much and too little. It's a never ending battle. And I lose more than I win.
This morning I read some of the commentary on Monet and it was encouraging in a misery-loves-company kind of way. Here's a snippet:
"The great and frightful battle between the artist and his idea and the picture glimpsed but out of reach—I can see all these and I participate in them; and I am frail, powerless, and just as tortured as is Claude [Monet] by imperceptible tones, by indefinable harmonies that only my eyes, perhaps, observe and note. And I spend anguished days looking at the shadow of a milestone on a white road, realizing that I am unable to paint it."
—Guy de Maupassant
The girls (Deena and Kathy) spent the afternoon on the roof putting up Christmas lights. They finally yelled at me and I went out and plugged them in, partly because I'm a helpful male, but mostly because I'm an only child.

Or, maybe not
"It is the test of a good religion whether you can joke about it."
—Chesterton?
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