July 20, 2024
It's been a tough four days, but I am proud to say, our grandson has not only survived the Artist Triple B Bootcamp (Weston quipped, "Wouldn't that make it a quadruple B?") he has graduated with honors and has some fine art to show for it.
Full disclosure: I let Weston grab unfinished pieces out of my failure bin and "finish" them, which he has done with some flash and flourish.
An explanation for the framed artwork in the background. The upper left two framed Billy pictures have been on the road for the past four years and thanks to Rusty York, they came home on Wednesday. The photo on the left hand side is the infamous photograph I bought for a quarter at the Longhorn Museum, circa 1957-58, and the drawing on the right is my first attempt at capturing the Kid on paper, circa 1958. The big painting on the far right is the recently framed "Back Door Billy" that Craig Schepp bought. As you probably already know, the frame on this painting is from the actual floorboards that the Kid walked on in 1878. And if you don't believe me, here is a part of the Certification Supplemental Report with the actual "true and correct copy original filed with the office Lincoln County Clerk," courtesy of Steve Sederwall.
The 10 a.m., July 8, 1879 meeting of the Lincoln County Commissioners included these minutes:
To wit: "Isaac Ellis presented an account against the County for the boarding of Wm Bonnie and Thomas OFolliard, also feed for the horses, amounting to $64.00. The above was found correct and ordered paid. Warrant number 147 was issued in payment of same."
This evidence goes with the two paintings framed with the floorboard wood.
Both Backdoor Billys along with the
postcard invite
"Everything you say should be true but not everything true should be said."
—Voltaire
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