July 19, 2026
For quite some time now, I have had this burning desire to emulate old, faded photographs and to somehow put them into a graphic narrative that would pay off at the end of the story.
And by "pay off" I mean that sometimes what you cannot see is more powerful than the perfect clarity of good images. What if, as the story develops, a faded, detail challenged image, like the one above, somehow, comes slightly more into focus and we eventually see who the killer actually was?
Seems like a zany, obvious extension of "The Rest of The Story" or "Fractured Fairy Tales."
On a related note, I am still obsessed with the theme of the lone kitchen light and have these two passes to prove it.
Meanwhile, sometimes we know the fix is in. . .




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