Extortion vs. Extraordinary In Nogales

December 27, 2013

   Working hard on several cover ideas for The 66 Kid. Here's a little study I did this morning:



 
Daily Whipout, "The 66 Kid Straddles The Centerline"

Of course, the arrow is based on this classic service station:

 
Al Bell's Flying A, Hilltop, Arizona, c. 1957

   Meanwhile, here's a tale of extortion vs. extraordinary on the streets of Mexico. Last Sunday, Kathy, my son and I crossed the border at Nogales and looked for a cab driver. We traditionally like to have a cab driver give us a tour of Nogales, Sonora and see all the new building, etc. (the border town is at 500,000 souls with new arrivals all the time). The last time we did it, several years ago, the price was $30. Thomas Charles speaks fluent Spanish so he talked with one Flaco Corrillo (Flaco is Spanish for skinny) who told us he would give us a tour for $15. That was a red flag, so I was on guard. Flaco took us by the old Canal Street, which has been completely made over into a legitimate business park. Then we drove up to a ritzy neighborhood with Vegas style homes. One of them was pock-marked with dobs of plaster and Flaco told us there was a big shootout a couple of years ago with 45 narco-trafficers who were holed up in the house. Quite a few were killed and then five wounded dudes were being transported to the airport and the cops hit a speed bump and flipped killing all five of the wounded bad guys, plus the two coppers.

   On the way out to the suburbs, Flaco informed us that our $15 was up. We were quite a ways from the border by now, so I'm extra hyper-sensitive, but Tommy is in the front seat and the guy is telling him jokes and having fun. T. asks Flaco what his favorite Mexican food restaurant is, so the cabbie hangs a Uie and we barrel down to Asadero De La Salida, a little covered, outdoor restaurant. We order the special and it is fantastic. When the food came I got up and took this photo:



 
Flaco Carrillo, Nogales cab drive extraordinaire

  Flaco looks a bit sullen here, but he was quit funny, laughing and joking the entire time. Forty-five minutes later we tell him we want to go to La Roca for a nightcap before returning to the U.S. so Flaco battles his way down the main thoroughfare and we pull into the alley where the legendary La Roca sits, and it is closed. So we decide to call it a night and tell Flaco to return us to the border. He has to go back south for about five blocks, then turns into the traffic jam heading towards the border and my blood pressure is rising as we inch towards the line.

   By now, I'm really paranoid. I can see him charging us $50 or more. It's not that he didn't earn it, but I'm irritated by the way it got set up like this and I'm really nervous about what the price will be. He could charge us $75 or more. Fifteen minutes later, he pulls up to the cab station by the crossing and we all get out. He comes around to our side of the cab and Tommy asks how much we owe him. Flaco shrugs sheepishly and says, "Is $25 okay?" T. gave him $30 and we thanked him profusely for a great time.

   I wanted to hug Flaco! This totally restored my faith in humanity, not to mention Nogales cab drivers. What a good guy! Made me so happy. It was a great little Christmas present.

"Everybody in the world loves Mexican food."
—Flaco Carrillo

Kingman In The Rear View Mirror

December 26, 2013
  Back from the road trip to find the best Mexican food on the planet. We really lucked out in Nogales, Sonora and hooked up with a cab driver named Flaco Carrillo (Flaco is Spanish for skinny) who took us on a grand tour of the city, including a big house in the posh part of town where narco trafficers shot it out with the police. Flaco gave us a running commentary of the fight (quite a few cartel guys were killed and then when the wounded were being transported to the airport, they hit a speed bump killing the wounded and two more policemen). Photos tomorrow.

   Got up this morning and whipped out a little study for our book:

 
Daily Whipout, "Leaving Kingman for The Last Time"

"Must write and accuse you of making a very respectable 64-year-old lady 'steal' today."
—Excerpt from a letter we will be running in the next issue of True West

Wildcats & Mexican Food

December 24, 2013
   After our Nogales run to find the best Mexican food in the world (Asadero La Salida in Nogales, Sonora and El Zarape in Nogales, Arizona), we motored up to Tucson to take in the number one college basketball team in the nation. After landing at the Big Blue House B&B at 6th Avenue and University, we walked down to campus to get our tickets upgraded. While we were standing in line, out came these dudes.



That's Matt Korcheck, Brandon Ashley and Jordin Mayes with T. Charles outside the McKale Center ticket window. They crushed T's alma mater, NAU five hours later: 77-44.

A couple minutes later out comes one of U of A's biggest stars:



T. Bell and Nick "Bunnies" Johnson (he hops so much and so high)

And lo and behold, a couple minutes later, out comes Gabe York and that other guy:

 
Gabe York, T. Charles and T.J. McConnell

   And here's the tip off five hours later inside McKale Center:


   We had nosebleed seats, but the box office called us and said if we came by the gym before the game they'd upgrade us for no extra charger, so we ended up here about six rows from the floor. Of course I have some very superstitious classmates and most of us feel like we will jinx the Cats if we watch the game, like this guy:

"The Wildcats will win if I don't watch the last quarter."
—Bugs

Heading South

December 23, 2013
  We're on the road in Southern Arizona. Stopped in Tucson for huevos rancheros at Mi Nidito on South Fourth Avenue:



That's our son Thomas Charles on the left. And here is a closeup on those rancheros:



Homemade beans, homemade flour tortillas, great sauce, kitschy surroundings (President Bill Clinton ate at the booth opposite us and they have a star where he sat). We took the back way to Nogales, stopping at Amado for a photo op:



T. Charles and BBB in front of the Longhorn at Amado, Arizona.

Took the back way to Arivaca (over the cow?) and then down a forest service road to Nogales where we encountered a border patrolman arresting an illegal. That was weird. One agent and one illegal crosser. Lights on, in a wash, in the middle of nowhere. Bizarre to say the least.

Got to Nogales at about 3:30 and crossed the border for more Mexican food. Details to come.

"In Mexico if it doesn't kill you, it makes you fat."
—Flaco Corrillo, our cab driver

Lewis Kingman Stakes Out Kingman

December 18, 2013
   We have a new 60 inch TV screen, inspired by watching movies at my daughter's house and realizing just how much better movies look when played big like that. So I ordered a DVD of "Edge of Eternity" and last night I watched it on the big screen. This is the movie filmed in Kingman in 1959 featuring Al Bell's Flying A, El Trovatore, The Jade and many other classic Kingman locations. It is a veritable time capsule of Kingman from that era. Here is Cornele Wilde pulling away from my dad's service station at sunrise:

 
Master Shot: Al Bell's Flying A for the movie "Edge of Eternity"

   I am standing to the left with a ton of crew members and trucks parked everywhere. It was cold that morning and quite a few of us were in the office most of the time. Two guys were talking about the hair raising scenes they had just filmed at the Grand Canyon with stunt doubles leaning out of the bat guano bucket and faking a fight scene. Gusts of wind rocked the gondola and according to the guys talking, the fact that the stunt doubles had cables tied to their wrists was the only thing that saved them. I, of course, didn't have a clue what this meant until I attended the premiere at the State Theater and saw the fight scene at the end, high over the Grand Canyon.

   Meanwhile, back at my dad's service station, who is this character actor, who plays the service station attendant?

 
Familiar character actor playing Flying A service station attendant. That's Harry Tyndall's Caddie parked outside the Tydeway Cafe in the background.

   In addition to my father's gas station being in the movie here's a sequence shot at Doctor Arnold's house near the Kingman Country Club and in the background you can see Radar Hill:

 
Gabbing about a mysterious killer with the Hualapais and Radar Hill in the background.

   Coincidentally I'm working on a new True West Moment on Lewis Kingman who got to name the town I grew up in because he surveyed the streets for the railroad (no town existed before the survey).



   So my dilemma is what kind of transit did Lewis use in 1880? Would he have a flagman or rodman or chainmen? He allegedly laid out the streets so that a wagon could turn around so the streets are very wide. Almost too wide.

   I dream of doing these True West Moments and books and documentaries but sometimes I doubt the dream. Gee, I wonder what ol' Walt has to say about this?

"If you can dream it, you can do it."
—Walt Disney

 

Neon Necklace

December 17, 2013
   Remember the Gene Autry movie, "Man From Music Mountain"? The story was inspired by the real Music Mountains in Mohave County, named because Beale's men thought the strata looked like music bars.

 
The mountains that inspired "Man From Music Mountain"

   And thanks to Gay, here is the synopsis of the Gene Autry movie:

The Man From Music Mountain
   When Boulder Dam opens, the Southwest awaits the electrical power that will soon be available. Although Gold River, Arizona, is not scheduled for electricity yet, The Western Development Company is trying to convince people that it is, and as an inducement, is offering everyone who buys land in Gold River fifty shares in the Betsy Lee Mine. The formerly deserted town becomes the new home to dozens of victims of the swindle, who need electricity to open businesses. When local rancher Gene Autry and his men ride into town, he realizes that John Scanlon and William Brady, backers of the development company, are swindlers, but he can't convince the new arrivals. Hairdresser Helen, to whom Gene is attracted, and her friend Patsy, who is smitten with Gene's friend, Frog Milhouse, need the income from their new shop so badly that Gene resolves to help them and the others by using his own money to pay the general store owner so that the townspeople can buy on credit. When he suggests that people get their money back from Scanlon, he only succeeds in making Scanlon want him permanently out of the way. Using gold dust that his father kept from a strike in Alaska, Gene decides to "salt" the Betsy Lee and tells Frog to go to a saloon and brag to Scanlon's men that he has found a rich vein of ore. The gang then goes to the mine to see if Frog's claim is real. Gene meanwhile convinces the townspeople to try and sell the mine stock back to Scanlon. As they are ready to do so, Buddy, a young orphan left in Gene's care who doesn't know about the ruse, then rides into town and tells everyone about the gold found in the mine. The town then turns against Gene, thinking he is mixed up with Scanlon, but, when Helen discovers that Gene has been paying everyone's grocery bills, she realizes that he has been trying to help them. As reports of a gold rush spread, the town is inundated with new people, so the power company decides to bring in electricity after all. During a dance to celebrate, Scanlon and Brady decide to take another look at the mine before agreeing to Gene's new offer of buying forty-nine percent of the mine for machinery needed to work it. After killing a guard, they discover the truth, but accidentally set off a burglar alarm rigged by Frog as the electricity starts. Gene then rushes out to the Betsy Lee, and, during a gun battle, part of the mine caves in, revealing a genuine vein of gold. As Brady rushes to Scanlon to tell him to take the town's offer, Gene and Frog sneak out a back entrance and arrive just in time to stop the sale and arrange for the sheriff to arrest Scanlon and his gang.

   So predictable, so lame, and yet so compelling. Why is that?


   Got up this morning and went for a brisk walk up Morningstar. My cardio doctor increased my walking regimen so now I walk farther, but the good news is I get more ideas (oxygen to the brain: what a concept!). Got back and whipped out this little study, based on a quote from Michael Wallis:

 
Daily Whipout: "Kingman at The Crossroads: Neon Necklace"

This is Kingman at night, from the air, with the lights of traffic on Route 66 and Highway 93 forming a neon necklace as seen from space. Spacey, eh?

"Route 66 is a necklace of neon lights. . ."
—Michael Wallis

Lady Miner & The Big Jerk On My Driver's License

December 16, 2013
   Back in the office and working hard on the March issue. I know: we work wayyy out. Check this out. This is Cordelia Kay of Mohave County, who was known as the Lady Miner.



   Saw this at the Mohave Museum last Friday after our meeting there.

"One of the annoying things about believing in free choice and individual responsibility is the difficulty of finding somebody to blame your problems on. And when you do find somebody, it's remarkable how often his picture turns up on your driver's license."
—PJ O'Rourke

The Music Mountains From The Air

December 15, 2013
  Yesterday, we drove old Route 66 up through Hackberry, Valentine, Crozier Springs and up on the plateau where Truxton and Music Mountains sit. I believe Gene Autry's "The Man From Music Mountain" was based on this landmark? Gay? Anyway, when I was flying home from Burbank after Thanksgiving I took this photo out the window of the area we covered yesterday:



Route 66, Hackberry and Music Mountains from the air

   Old Route 66 swings through that curve at bottom, center, then angles up and eastward thru Valentine, Crozier Springs and up on the plateau, upper middle right, where Truxton sits. To the left of that bald spot you can make out the horizontal stripes of Music Mountains, then behind it you see how close the Grand Canyon dips southward before arcing northward towards Lake Mead. At the extreme bottom is Round Valley.

"I'll bet this looks funny from the air."
—A family joke whenever we turn around and then change our minds and turn again

Route 66 Reference Road Trip

December 14, 2013
  Back from a quick Route 66 reference road trip. Left on Friday morning at 6:30 with my art director, Daniel Harshberger and our unpaid intern and camera operator, John Nelson. Stopped in Wickenburg at Ike's Cook Shack for a quick breakfast.


Ike's Cook Shack Crew: BBB, Jon Nelson and Dan Harshberger

Got to Kingman at 10 and took this reference photo at Fourth and Beale Street for a painting I want to do of Lewis Kingman surveying the town streets (wanted to see what he could see if the buildings were gone, i.e. those classic buttes towards Coyote Pass).



   At 10:30 we had a meeting with the board of directors at the Mohave Museum and discussed a big photo-art show to premiere in conjunction with the International Route 66 Festival to be held next August. Here I am with the director, Shannon Rossiter:


Museum Director Shannon Rossiter and BBB

   We also met with Jim Hinckley and John Waters about the book and the proposed show, then we headed out to the legendary Red Ghost Ranch:

 Took off this morning at 7:30 for a drive on The Road Most Traveled. Stopped beyond Valentine to capture this cut, which is the exact spot of a 1940s photograph we plan on running in the book:


The Cut

   Of course, we cruised Hackberry, Valentine, Crozier Canyon, Music Mountain, Grand Canyon Caverns and the Snowcap Drive-in:


The Legendary Snowcap Drive-in in Seligman, Arizona

And on through Ashfork and Williams. Landed in snow-covered Flagstaff at a very crowded Martanne's where we met up with Tom Carpenter:


Breakfast at Martanne's: BBB, Unpaid Intern, Dan The Man and Tom Carpenter

All of us were ex-Kingmanites except Mr. Unpaid. Of all the bergs we saw I have to say I was most impressed with Williams. They really seem to have the creative vision on how a Route 66 town should look and feel. Made me feel a bit concerned about my hometown and I guess I have to agree with my friend Jim:

"Wake up."
—Jim Hinkley's advice for Kingman regarding Route 66

Be A Real Frutti, Not A Flat-Footed-Floogie!

December 12, 2013
   I lost a day somewhere, or gained one. Thought today was the 13th. Yesterday was a blur. Had lunch with Marshall Trimble and our temporary town manager Rodney Glassman at the Adobe in the Biltmore. Sat outside, beautiful day. Afterwards motored over to the Dan The Man's studio for a full afternoon of layout and graphics for our joint project "The 66 Kid." In addition to layout and spreads we worked on cover comps building from these noodles:



   Afterwards, drove further down into the Beast for a storytelling affair at a converted church at Third Street and I-10. Told the story of George Warren in about four minutes flat (we were supposed to keep our stories to five minutes and the guy in front of me went for seven).


   That's the seven minute guy with his arms folded. It was an intelligent audience and I hate to admit it, but I think some of them actually believed me. Ran off the stage, grabbed a chicken kabob in the lobby and a glass of wine and drove home. it's an hour run. Got home at 7:30. Long day.

   Got up this morning and worked on three different versions of cover ideas. This is one of them.

 
Daily Whipout: "The Baddest Boy In The Whole Damn Land—The 66 Kid"

   Before I drove down to Dan's I grabbed my morgue file on Route 66 and in that stack of photos, postcards, newspaper articles and old magazines was a July 1956 magazine (with the title ripped off, which is what newsstand sellers used to do when they had to prove a magazine didn't sell, they would cut off the title and send it back to the publisher to prove they hadn't sold it. Those quaint days are long gone and today we get a "report" on how many have been sold and we have to take it on faith, which is ridiculous, but, I digress). The magazine is "Rock And Roll Songs", according to the publishers page, which is printed out of Derby Connecticut. Great old photos of fifties singers—Patti Page putting on horn rimmed glasses!—but in the back are letters to the editor that all read alike, like this:

   "I fell out when I glimmed your latest mag. I think your inkings are frantic. Rock and Roll is the craziest, and I'm hip. I copped the word 'frampton' for cool or crazy. I hope you dig my little ink phrase—'cause I'm trying to get on to the hip ways."
—Doug "Dugger" Miller, Detroit, Michigan

   "We 'warm-charms' down here think R 'n' R is the mostest! Instead of speakin' of such persons as cool cats, we hippers say 'warm ducks.' When some deal is the most, we call it 'real frutti.' A smart girl is a 'keen-Irene.' One who can't be-bop is a 'FLAT-FOOT- FLOOGIE."
—Buddy Pappas, Fort Worth, Texas


   "Skin Me, My Man: dig my jive, if you can. I've got correction bit to hit you with. It's about that daffy-nition for a more square square (that's from nowhere). A cube should be a 'square in 3-D.' Now we're hip—so don't slip on down to 'fool's paradise.' Instead get with this cool advice."
—Michael Weisser, New Haven, Connecticut

   And lest you think Michael "Whizzer" Weisser is some long-gone-daddy, here is the photo of him they ran with the letter:

Hep Cats Writin' to Father Bear!

"Later, Alligator!"
—Old Fifties Saying that sounds surprisingly sedate compared to these other crazy expostulations

BBB Bags Another Big Award

December 12, 12013
   If you thought the recent Emmy win was a fluke, check this out. Back in 1974 The Razz Revue crew received an extra big Oscar at Old Tucson Studios for "a record number of attempts at trying to be humorous." I believe the old record was 12.
 
L to R: Dan The Man Harshberger, Terry Townsend and BBB receive an extra big Oscar with a floppy base—note how statue doesn't line up with base, from a guy with madras pants and a Mexican wedding shirt, so popular at the time.

   We were shooting our first Old West issue of the Razz (we did two) and we traded ad space for the privilege of shooting on the grounds. When the manager of operations noticed we were shooting "humorous" scenes he brought out this oversized statuette and wondered if we could use it in our "zany antics." I said sure, "Hand it to me."

"On Behalf the Academy I'd like to thank the makers of my top hat and the slim fitting bell bottoms from Jeff Bloom's Eclipse on Fourth Avenue in Tucson)."
—BBB

Service With A Smile

December 10, 2013
   True West landed on the front page of the Tombstone Epitaph yesterday. Good article by  Carlos Herrera on The Town Too Tough to Die finally making our Top Ten Towns list. Top head: "About Dang Time!" Ha.

   Dan The Man and I attended a couple of bizarre meetings today. One of them twice. Drove down into the Beast and landed at Channel 8 but we were told our meeting had been cancelled because our host was out sick. Had a meeting with another producer, left, got two blocks away and got a call from the original host asking us where we were. Went back and had a second meeting which was quite daunting. Learned about all the things we can't do without licensing and releases (from family movies taken in 1962!). That was discouraging.

   Went to lunch at Gallo Blanco and retrenched. Came home and did some new sketches based on the meeting and specs from publisher:





   That resulted in these sketches. And this:




Not there, but getting closer. Four cover comps due on Friday. I had a plan but it evaporated. Gee, I wonder what respected documentarian Ms. Baichwal has to say about that?

"Have a plan, but be ready to abandon it at any moment."
—Jennifer Baichwal

Where Teens Puke On Their Shoes

December 9, 2013
    Working late tonight. Talking to Stuart Rosebrook about assignments in March. He is all over it. We're on a roll. The big Fountain-Garrett assassination package (12 pages!) went to the printer this morning. Final corrections that is. The rest of the magazine went out last Thursday.

     So I have been trying to find photo reference for Floyd Cisney's Arizona Highway Patrol car which he drove in the late fifties. I remember that it was white and had unique side symbols but I have not been able to find anything even close. Well, yesterday, Robert Dell of Kingman posted some screen captures from "Edge of Eternity" a 1959 film which is a time capsule of Mohave County life and style. And there it is—Floyd Cisney's ACTUAL car pulling up to Pierce Ferry and if I remember correctly Floyd himself gets out.

 
Floyd Cisney and the Mohave County Sheriff's Office Head for A Swim

   Also working on night neon and night drivers and Mo-ped Mamas, a concept Dan and I came up with way back in the 1970s. In fact we filmed a bit for Channel 5 and one of the Mamas was Kathy Radina, before we were an item. Somewhere I have the footage of that and we need it for the doc.

   And speaking of the Razz, one of my favorite articles we did, was a parody of a 1940s style Arizona Highways feature on Arizona towns. They were always slightly racist (The Kingman Fire Department Is Never Niggardly With Their Equipment!) and they always, always treated the areas they covered with a vapid style boosterism (This beautiful area is know for the Four Cs: Copper, Cattle, Citrus and Cabbage!). Well, having grown up in Kingman, Dan and I knew you could make a good case for another kind of unique benefit of the area, and so we came up with this honest attribution:

 
Where Teens Puke On Their Shoes

   And here's my Mo-ped Mama notes and night drivers sketches:



And speaking of Mamas, here's one of the. . .

Sixty-Six Sick Chix



"The story is the first thing and the last thing."
—Norman Rockwell

Franklin: The End of The Line

December 6, 2013

   I have been using a Franklin Daytimer since 1994—almost 20 years. This morning Kathy asked me if I wanted a refill for 2014 and I had to admit I rarely use it anymore because my iPhone has all the information I need. It even reminds me that I have a speech tomorrow, the time, and a map. How can you compete with that? Poor guys—Franklin—I feel for them.



 
My big Ol' Monarch Franklin Daytimer about to be retired.

   Interestingly, my daughter Deena still uses hers and says she likes having everything she needs spread out in front of her at meetings.

   And speaking of loss, we just lost 55 stores in the Chicago area that used to carry True West. I assume it was a chain that went under. Our distributor wants to know where they should destroy the 300 issues that normally go to them. I said, "Destroy them? Hell no! I'll drive to Chicago to get them if I have to," and they said, no, I can't come get them out of the chain of distribution. And I said, "Remind me why I got into this business?"

   Went home for lunch and whipped out a little study of Jack Kerouac:

 
Daily Whipout, "Jack Kerouac Attack"

   Yes, he shows up on my desk in the first photo. And he shows up on a postcard from The Top Secret Writer (also showing in the photo) which is where I got the image. On the back it says,

   "Congratulations on the new book project! I know it will be a fabulous trip."
—Your Pal Paul

   Yes, quite fortuitous because "On The Road" was a good part of the inspiration to do "The 66 Kid." Gee, I wonder if Jack has any advice on how to do the book?

"Great things are not accomplished by those who yield to trends and fads and popular culture."
—Jack Kerouac

Oliver Lee's Gang of Seven?

December 5, 2013
   One of our contributors dropped out of the Fountain feature this morning which left a gaping hole in our coverage. In addition to the two other paintings I did in the morning, I went home to meet the TV installer and while I was there I whipped out a third painting:

 
Daily Whipout, "Storm Is Ah Comin'"

   Although three suspects are always mentioned in the Fountain case—Oliver Lee, Bill McNew and James Gililland—there were likely more participants. We know that two other cowboys were seen trailing the Fountains from Lincoln to Tularosa and, according to the contributor who dropped out this morning, the Pinkerton reports show seven different horse tracks around the abandoned buggy. It would make sense that Lee would seek support from his neighbors and friends to stop what he viewed as a corrupt official who was bent on sending them all to the pen for ten years.

   Here we see Lee, on his white horse, sending his riders out to their posts as a huge storm rolls in.

"Guitars will play your grand finale, down in some Tularosa alley. . ."
—Bob Dylan, "Pat Garrett & Billy the Kid" soundtrack

Read more: http://www.bobdylan.com/de/node/25962#ixzz2meB4zLUV

.

Gunsight Alley

December 5, 2013
   Went home for lunch and whipped out the final painting for our Albert Jennings Fountain Classic Gunfight:

 
Daily Whipout, "Fountain is herded right into the sights of the best shooter on Oliver Lee's gang"

   This, of course, is classic deer hunting strategy: to drive game into the sights of a shooter.

"Aim low, they're riding Shetlands!"
—Old Vaquero joke

Topping Chalk Hill

December 5, 2013
   Got up this morning and bailed into a painting of Chalk Hill. Had good photo reference from Corey Recko's new book cover, plus I discovered something on a recent painting where I did a gravel road and rather than leaning towards white, I let it go a muddy gray. Really popped the gravel effect. Grabbed that framed painting and put it on my desk for inspiration, as well:

 
Daily Whipout, "Chalk Hill Without the Fountains or Wagon"

   Got some good tips on buckboards off this site (thanks guys!) and put in the Fountains traversing the top of Chalk Hill:


 
Daily Whipout, "Topping Chalk Hill: By the Time Fountain Saw The Riders It Was Too Late"

   Going home for lunch to whip out the climatic scene. Wish me luck.

"Hey, good luck."
—BBB Muse and BF Bugs

Fountain Buckboard, or, Fountain Buggy?

December 4, 2013
   Getting closer to wrapping up the big Assassination of Pat Garrett—and The Fountain Murder features. I did an FPO (for position only) illustration a couple days ago of the Fountains conveyance on the day they were ambushed. In the court testimony in the court case, Albert Fall uses the term buggy and buckboard to describe the victims ride, sometimes in the same sentence. So what kind of a wagon were they in?

 
Daily Whipout, "The Fountains On Their Way to Chalk Hill"

   Yes, an Apache at Blazer's Mill gifted Fountain with a pony and the lawyer tied it to the back of the wagon to take home for his kids. He also had 50 pounds of uncut alfalfa in a sack in the back. The two had a blanket draped over their laps to ward off the February cold.

   So I emailed Corey Recko to ask about the buckboard vs. buggy dilemma and here's what he said:

"From what I understand from the Fountain family, it was a buckboard body but covered (which would explain why it is called both a buckboard and buggy in trial testimony).  The Colonel's son Albert (who was part of the search party) did a painting of his father and brother in the buckboard years later, and it showed an uncovered buckboard (a rear view of what you have below), but Albert's granddaughter, Mary Alexander, told me that the buckboard was in fact covered, but Albert wanted to be able to show his father and brother in the panting."
—Corey Recko, author of "Murder On The White Sands: The Disappearance of Albert and Henry Fountain"

   Ah yes, an artist gumming up the historical record to make it easier to paint. Does that ever sound familiar! Anyway, I also want to illustrate a shooter waiting for his mark (it happened in both cases). Did a sketch of that this morning before I came into work:

 
Daily Whipout, "Waiting for The Mark"

Uncanny Similarities Between The Fountain and Garrett Murders
• both were ambushed on the same road

• both victims were riding in buggies

• both assassins waited at a preordained spot and smoked cigarettes while they waited (I believe they found two cartridges and cigarette butts at both crime scenes. Checking with Recko and Boardman to confirm this.)

• both killers got away scott free

   I'm sure there are more similarities, but those are the first things that popped out at me.

"How did you first find the trail of Colonel Fountain's buckboard? Did you not testify this morning that it was no trouble for you to find the buggy tracks. . ."
—Attorney Albert Fall, cross examining Antonio Garcia in the Fountain Murder Trial

Into The Valley of Urination

December 3, 2013
   Home stretch of our major Fountain-Garrett murder feature. Here is a photo montage of the Pat Garrett death site which I took in 1991.

 
Pat Garrett's Last View of the Planet

   Garrett, Adamson and Brazel traversed this valley from right to left. That's San Augustine Pass in the upper right corner, and Garrett's ranch is just over that rise. The old road has been bypassed (to the far ridge) and it is grown over but it probably looked kind of like this:

Daily Whipout, "Into The Valley of Death"

   Wayne Brazel rode along side Garrett's buggy as the two argued over goats. Worked this morning on finishing the Pat Garrett splash page illustration. Pardon my French, but this is called "A Piss Poor Way to Die"

 
Daily Whipout, "Pat Garrett Gets His"

   One of the conspirators in Garrett's assassination said the old lawman "fell like a sack of potatoes" after being shot in the back of the head while he was urinating. No one was surprised, least of all Garrett:

"Men like myself, who spend their lives making enemies of the pests of scoiety, must expect to be killed sometime."
—Pat Garrett

The Cerbats From The Air

December 2, 2013
     Worked most of the afternoon on a painting for our Pat Garrett splash page. Didn't fall. Hope to finish in the morning.

   When we flew home from Pasadena on Friday, I got a good view of Burbank and Universal City.



   That's downtown LA, just to the left of the second, red tank deal. I'm reading a good biography on Norman Rockwell, so I settled in to read that. About a half hour later I glanced out the window and saw a familiar sight:

  
   Yes, those are the Cerbats, north of Kingman. That's the old Duval Mine, middle left, and Red Lake, way up at the right. Brenda and Kevin Stockbridge live down there in that gaggle of houses at bottom, right. I believe that's Felspar Butte with the long pointed shadow, at middle, bottom. Not sure why, but I always seem to end up here. Gee, I wonder how that relates to "The 66 Kid"?

"If it doesn't need to start at a certain place and end at a certain place, then it might not be a movie."
—Andrew Bujalski